It’s Never Over Jeff Buckley (2025) lifts the curtain back on the lost voice of a generation, revealing someone who contained multitudes.
Author: James Preston Poole
The Legend of Ochi (2025) stands out due to an open heart and trust in its young audience to handle an emotional, spooky narrative, conjuring up cinematic magic.
Light of My Lion is an effective balm for the soul that could very well serve as a good entry point for international audiences to get into J-dramas.
Dune: Prophecy debuts as an engrossing hard sci-fi series that puts the political intrigue before the spectacle, adopting a cadence all its own.
Eschewing aesthetic flash, Juror #2 is a classically effective drama that thrives off of impeccable staging and layered performances.
Sony’s Spider-Man Universe was a strange little pocket of comic book cinema that deserves to be studied, or at the very least ranked.
Maria successfully showcases the interiority Angelina Jolie can bring to a role, but gets a bit lost in the weeds trying to capture a complicated woman.
If Kraven the Hunter is indicative of anything with Sony, it’s that they should’ve stayed in their lane making more trashy good times like this.