Will (2024) is just another WWII movie doing little to push the medium—the areas where it attempts to are more exhausting than impactful.
Author: Jason Flatt
Jason Flatt
Jason is the Sr. Editor at But Why Tho? and producer of the But Why Tho? Podcast. He's usually writing about foreign films, Jewish media, and summer camp.
Jason Schwarzman plays a cantor who’s lost his voice and has to learn to love himself again in Between the Temples
The way Dìdi places you firmly in 2008 is uncanny, but the way it tells that history just slightly differently than how it probably was is perfect.
J. Robert Oppenheimer’s legacy is deeply complicated, but viewing the Nolan film through the lens of his Jewish guilt may help us understand him better.
The fifteen movies shortlisted for the Best International Feature Film at the 2024 Oscars are all about love, war, survival, and discovering ones’ self.
Sixty Minutes creatively sets a movie timer for MMA fighter Octavio to get to his daughter’s seventh birthday or risk losing her.
The Teacher’s Lounge is a treatise on the inevitability of flawed role models, as the German-language school drama deals with students accused of theft.
Society of the Snow is an unbelievable testament to human determination and a survivalist thriller for the ages.